Alcest a Retrospective 2012 to 2016

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At this stage of Neige’s career, Alcest started gaining more momentum. Their popularity started growing and growing. More and more fans have gotten a chance to stumble upon the beautiful soundscapes Alcest evokes. Also in this age of Alcest, they went into very different avenues with their music. They started visiting the worlds of dream pop and pure shoegaze as the band progressed, which not only brought in a new type of fan but also showed how versatile and creative Alcest can be. In my opinion, the years between 2012 and 2016 were a mixed bag. The one thing I can say is Alcest’s music still is able to flood my mind with feelings of nostalgia and longing.

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Les voyages de l’âme 8/10

I would say this is my second favorite album by Alcest; there are some great songs on here that really hit the feels. The album is very sunny and warm in nature but still has this cold breeze blowing through it. There are still some amazing black metal moments in “Les voyages de l’âme” where Neige really belts out some really bone chilling screams and shrieks. However, what makes the album stand out a lot to me is how much it puts me into a blissful mood. The music is soft, ethereal and just hits all the introspective bits in my mind. As the album closes, we start seeing a preview of what is to come in the song “Summer’s Glory” for a future divisive Alcest album in 2014. Best songs: Autre Temps, Là où naissent les couleurs nouvelles, and Faiseurs de mondes

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Shelter 9/10

For me Alcest’s album “Shelter” is an absolute revelation. Neige has decided to stray far away from the black metal origins of Alcest and decided to create an album of pure moody dream pop/shoegaze. To cap it off Neige enlisted the talents of Neil Halstead of Slowdive to contribute some vocals and guitar to this album. Surprisingly the song “Away” is one of the best songs on the album. It is moving, warm, relaxing and utterly spellbinding. The bulk of this album is incredibly consistent with the most beautiful package of songs I have heard in a long while. Each track evokes imagery that is positive, alluring, and dreamlike. Usually metal albums tend to be dark and dreary, “Shelter” on the other hand is one of the most positive and life-affirming pieces of music I have got to hear. Best songs: Opale, Away, and Délivrance

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Kodama 6/10

When I first heard that Alcest was going to be working on a new album called “Kodama”, I was once again super eager to hear what direction they were going to take the band. When I got the album, I was not impressed with it like some of Alcest’s earlier works. It seemed like Neige was kind of going with the motions in the writing of “Kodama”. The album seemed lackluster to me, and I only enjoyed about three songs off the album. I also thought the album ended too soon and left me wanting more. I was worried that Alcest’s creative genius was starting to wane with “Kodama”. I felt like I spent more time hearing early works then “Kodama” when the album came out. Best songs: Kodama, Je suis d’ailleurs, and Oiseaux de proie

This concludes my mini reviews of the latter half of Alcest career. As I mentioned above it was a very mixed bag in regards to the albums introduced between 2012 and 2016. The one thing I will say is Neige and company are able to still write amazing pieces of music that really brings out both feelings of joy and sorrow in each subsequent album. I still highly recommend giving them a listen if you want to experience music that is achingly beautiful but also brings out so many feelings/nostalgia with frequent listens.

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Bandcamp: https://alcest.bandcamp.com/

Facebook: https://www.facebook.com/alcest.official

Official Page: http://www.alcest-music.com/

Alcest a Retrospective 2005 to 2010

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I recall a while ago that an old friend of mine introduced me to a band called Alcest out of France. He let me borrow a CD with beautiful artwork of a mermaid, sleeping man, and the full moon in glowing blue hues. I come to find out that this album is “Écailles de Lune” when I first put the CD into my car stereo and drove home the music absolutely floored me. I never heard anything like Alcest before and I have yet to hear any band like Alcest even now. This was the first moment in time that I was enraptured by Neige’s genius, and as the years passed, Alcest became part of my top five bands of all time. I wanted to take this time to do some mini reviews of Alcest’s discography. They have developed a really interesting and eclectic series of albums that are all different in their own unique ways. With the impending release of their new album “Spiritual Instinct”, this is a perfect time than ever to introduce you to the hidden, beautiful metallic world of Alcest.

I am going to split my reviews into two distinctive eras of Alcest. To begin Alcest began its journey with an EP simply called “Le Secret” followed by “Souvenirs d’un Autre Monde” and then capped off with the seminal album “Écailles de Lune”. This era of Alcest was very diverse; there was a lot of experimentation happening earlier in Neige’s career and I think the first half of his discography had so many different and unique dynamics happening.

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Le Secret 10/10

When Neige first described his experiences as a child visiting the “Otherworld” “Le Secret” was the album where we see Neige’s at his rawest and most vulnerable. This two song EP effectively invoked images of dreamlike worlds where the lines between reality and fantasy are blurred. The music had a hypnotic and serene type of energy through every note and vocal choice. There is a strong feeling of nostalgia and memory with the musical arrangements and it really puts your mind into an otherworldly atmosphere. When I first heard this album, I was floored at how good it was for an EP, especially with it being Neige’s first album running with the shoegaze and black metal formula. Even to this day I give “Le Secret” a spin and I am still blown away at how simply gorgeous the album is. Best Songs: All of Them!

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Souvenirs d’un Autre Monde 7/10

When “Souvenirs d’un Autre Monde” was released, I never heard any metal album like it before. I would even say it is not a pure metal album at all. There were some riffs and blast beats that are sprinkled throughout the album, but the bulk of the music was driven by shoegazing music. I was hearing more My Bloody Valentine or Cocteau Twins compared to Darkthrone or Burzum. This is what really intrigued me when I first heard “Souvenirs d’un Autre Monde” it’s a unique, fresh and very a different take on metal. The thing with this is album is it starts very strong then it loses my interest. The first four to five tracks put me into such a blissful mood because of how beautiful/evocative the music was. Then as the album progresses the tracks got weaker. The one thing to keep in mind is Neige had to write this album in order to build this metal/shoegaze hybrid into some amazing future records, while building a new genre of metal called “blackgaze” along the way. Best Songs: Printemps émeraude, Souvenirs d’un autre monde, and Les Iris

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Écailles de Lune 9/10

“Écailles de lune” was the first album that introduced me to Alcest. Still in my eyes, this is the best album out of their discography. The beauty in this album is beyond words and the images and feelings conveyed in this album have always resonated so deeply with me. I spent many nights driving around during full moon nights and have “Écailles de lune” blasting from my car speakers. It puts so many images in my head and really brings out a lot of clarity. When my mind is foggy or I am, feeling down I would listen to this album to help me get out of my funk. Every time I hear “Écailles de lune” it helped with my mental health, and gave me a new perspective of my existence in this world. Regardless of the lyrics being in French you know exactly what Neige is trying to convey in this album. The musicianship is warm, introspective, and very dreamlike. The vocals are more ethereal compared to punchy/upfront, and the screams/rasps heard in Neige’s vocals chills you to the bone. It is the perfect album of moods and emotions. There is no room in this album for dry technical work; the album purely thrives on the nostalgic thoughts and feelings we all experience as human beings. Best Songs: Ecailles de lune I, Ecailles de Lune II and Sur l’océan couleur de fer

Here concludes my reviews of the first half of Alcest’s discography from 2007 to 2010 there was a beautiful monster stirring in France at this time. In addition, as this monster rose from the depths a genuine tidal wave of blackgaze bands emerged and yet still Neige and company were way ahead of the pack for quality and consistency from 2012 until 2016.

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Bandcamp: https://alcest.bandcamp.com/

Facebook: https://www.facebook.com/alcest.official

Official Page: http://www.alcest-music.com/

A Conversation with Jori Apedaile of Eneferens

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Eneferens is an up and coming one-man metal project out of Minnesota, the brainchild behind the band is Jori Apedaile. The best way I can describe his music as a fan is beautiful, resonating, and very introspective in nature. Jori just released his new album “The Bleakness of Our Constant” that came out earlier in November it is a fantastic album full of great ideas and very relatable lyrics/imagery. He took some time to do an interview with me about the new album and the origins/motivation behind Eneferens. I learned a lot about who Jori is and what motivates him to create such beautiful and sorrowful music.

Thank you for taking the time to do this interview, firstly can you give our readers an idea of the concept and origin story behind Eneferens?

 The project started in the winter of 2015. I had quit all of the bands I was in previously to move to a different city, and inspiration for a new sound emerged with the change in my surroundings. The name Eneferens came to me in a dream one night, and I dissected the root words to form a definition: To carry within one’s self. That resonated deeply with what I was trying to do, and things developed from there.”

What is your creative process in writing your music? Are you more spontaneous or meticulous in putting your ideas together?

 It’s definitely a balance of both. I often start writing a song with something completely out of the blue, but I often have a strong sensibility and can map out where the song needs to go. Other times I surprise myself. I make a strong point to not repeat myself or develop too many songwriting habits, and some of the experimentation trying to steer clear from that has been fairly successful.

When I am I reading your lyrics there is such a sense of melancholy, and themes of love lost how do you conceptualize your lyrics to make them so simply profound?

 Lyrics are by far the most difficult part of the writing process for me because the music already says so much. That’s a very tough question to answer, because I essentially just ponder a lot, and dig deep into what I’m feeling and just hope that something of value will come out.”

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Photo By: Todd Farnham

Nature also plays a part in your themes and imagery why are these metaphors so important to the image of Eneferens?

 The approach to the whole project is to create beautiful and dynamic music. Nature is by far the most beautiful and dynamic thing, so it very easily translates in the music that I make.”

Specifically in “The Bleakness of Our Constant” what made you come up with this title for you newest output?

“Coming up with the title took me a very long time. It was difficult for me to find a name to bring these tracks together because they are all pretty different from one another. I revisited my lyrics and the very last line of Weight of the Mind’s Periapt jumped out at me: The Bleakness Of Our Constant. That was it. To me, the title represents continuing on in a trajectory that is uncertain, can be bleak and difficult, but there is always that stubborn determination to keep going in hopes that things will get better.”

I noticed the sigils on the album artwork what is the significance behind them?

“The sigil is essentially the earth and the sky joined by a very frail thin line. It represents a very delicate sense of balance. Balance is very important in the creation of my music, so I think it is a fitting image to accompany this new record.”

Which bands/artists are you most influenced by and why? Secondly what acts are you currently listening to at this moment?

“I am all over the map. Regardless of what genre an artist is, the ones that influence me the most are those that perfectly convey emotions that I can strongly resonate with. Some of the strong influences that can be found in Eneferens are early Opeth, Alcest, Katatonia (all of their discography), Rapture, and Kauan. Some artists that have emotionally inspired me but don’t necessarily translate in my sound are The National, Neuman, Hundred Waters, Sufjan Stevens, and London Grammar. My music wouldn’t be the same without them even though they’re far from metal. I’ve been listening to a wide variety of music lately: Fleurety, Lantlos, A Winged Victory For The Sullen, mid-discography Ulver, Camel, the list goes on.”

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Photo By: Jori Apedaile

It seems like the reception has been quite positive for Eneferens, how do you feel about this?

 I am very grateful for how well things are being received. It’s very validating, and it means a lot to hear that people are connecting to the music on an emotional level.”

There are so many new, interesting and compelling acts in the metal scene these days. Do you think the metal scene has seen a renaissance?

 No, not necessarily. I think things have progressed fairly naturally in the sense that so much has been done before already and that forces bands to either come up with something very unique, or try to do the same thing but better than the last band. It is an exciting time for metal though because some real creativity is emerging in order to stand out.”

After researching, I noticed you do your live shows by yourself how has that been and do you see yourself adding live members to Eneferens in the future?

 Playing live by myself has been very empowering and it has been received well. I did a northwest U.S. tour earlier this year and a common comment was that they were impressed how big the sound was for just one person. I would eventually like to put together a full live band to make the experience more captivating. We will see what happens in the future.”

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Photo By: Jori Apedaile

If you could describe Enenferens to someone who may not be familiar with your music how would you best describe it?

It’s a combination of many of my influences- black metal, doom, shoegaze, folk. As cheesy as it is, I sometimes call it “beautiful metal” because that’s really what it is. Strong melodies, dissonance when necessary, plenty of atmosphere and a very delicate balance of light and dark.”

Do you have any parting thoughts for our readers?

“Never fear to be different! The best things of all are always one of a kind. Cheers.”

Bandcamp: https://eneferens.bandcamp.com/

Facebook: https://www.facebook.com/eneferens/