Eneferens is an up and coming one-man metal project out of Minnesota, the brainchild behind the band is Jori Apedaile. The best way I can describe his music as a fan is beautiful, resonating, and very introspective in nature. Jori just released his new album “The Bleakness of Our Constant” that came out earlier in November it is a fantastic album full of great ideas and very relatable lyrics/imagery. He took some time to do an interview with me about the new album and the origins/motivation behind Eneferens. I learned a lot about who Jori is and what motivates him to create such beautiful and sorrowful music.
Thank you for taking the time to do this interview, firstly can you give our readers an idea of the concept and origin story behind Eneferens?
“The project started in the winter of 2015. I had quit all of the bands I was in previously to move to a different city, and inspiration for a new sound emerged with the change in my surroundings. The name Eneferens came to me in a dream one night, and I dissected the root words to form a definition: To carry within one’s self. That resonated deeply with what I was trying to do, and things developed from there.”
What is your creative process in writing your music? Are you more spontaneous or meticulous in putting your ideas together?
“It’s definitely a balance of both. I often start writing a song with something completely out of the blue, but I often have a strong sensibility and can map out where the song needs to go. Other times I surprise myself. I make a strong point to not repeat myself or develop too many songwriting habits, and some of the experimentation trying to steer clear from that has been fairly successful.”
When I am I reading your lyrics there is such a sense of melancholy, and themes of love lost how do you conceptualize your lyrics to make them so simply profound?
“Lyrics are by far the most difficult part of the writing process for me because the music already says so much. That’s a very tough question to answer, because I essentially just ponder a lot, and dig deep into what I’m feeling and just hope that something of value will come out.”
Nature also plays a part in your themes and imagery why are these metaphors so important to the image of Eneferens?
“The approach to the whole project is to create beautiful and dynamic music. Nature is by far the most beautiful and dynamic thing, so it very easily translates in the music that I make.”
Specifically in “The Bleakness of Our Constant” what made you come up with this title for you newest output?
“Coming up with the title took me a very long time. It was difficult for me to find a name to bring these tracks together because they are all pretty different from one another. I revisited my lyrics and the very last line of Weight of the Mind’s Periapt jumped out at me: The Bleakness Of Our Constant. That was it. To me, the title represents continuing on in a trajectory that is uncertain, can be bleak and difficult, but there is always that stubborn determination to keep going in hopes that things will get better.”
I noticed the sigils on the album artwork what is the significance behind them?
“The sigil is essentially the earth and the sky joined by a very frail thin line. It represents a very delicate sense of balance. Balance is very important in the creation of my music, so I think it is a fitting image to accompany this new record.”
Which bands/artists are you most influenced by and why? Secondly what acts are you currently listening to at this moment?
“I am all over the map. Regardless of what genre an artist is, the ones that influence me the most are those that perfectly convey emotions that I can strongly resonate with. Some of the strong influences that can be found in Eneferens are early Opeth, Alcest, Katatonia (all of their discography), Rapture, and Kauan. Some artists that have emotionally inspired me but don’t necessarily translate in my sound are The National, Neuman, Hundred Waters, Sufjan Stevens, and London Grammar. My music wouldn’t be the same without them even though they’re far from metal. I’ve been listening to a wide variety of music lately: Fleurety, Lantlos, A Winged Victory For The Sullen, mid-discography Ulver, Camel, the list goes on.”
It seems like the reception has been quite positive for Eneferens, how do you feel about this?
“I am very grateful for how well things are being received. It’s very validating, and it means a lot to hear that people are connecting to the music on an emotional level.”
There are so many new, interesting and compelling acts in the metal scene these days. Do you think the metal scene has seen a renaissance?
“No, not necessarily. I think things have progressed fairly naturally in the sense that so much has been done before already and that forces bands to either come up with something very unique, or try to do the same thing but better than the last band. It is an exciting time for metal though because some real creativity is emerging in order to stand out.”
After researching, I noticed you do your live shows by yourself how has that been and do you see yourself adding live members to Eneferens in the future?
“Playing live by myself has been very empowering and it has been received well. I did a northwest U.S. tour earlier this year and a common comment was that they were impressed how big the sound was for just one person. I would eventually like to put together a full live band to make the experience more captivating. We will see what happens in the future.”
If you could describe Enenferens to someone who may not be familiar with your music how would you best describe it?
“It’s a combination of many of my influences- black metal, doom, shoegaze, folk. As cheesy as it is, I sometimes call it “beautiful metal” because that’s really what it is. Strong melodies, dissonance when necessary, plenty of atmosphere and a very delicate balance of light and dark.”
Do you have any parting thoughts for our readers?
“Never fear to be different! The best things of all are always one of a kind. Cheers.”